Arne Grashoff (*1995) lebt und arbeitet in Berlin. In seiner interdisziplinären Praxis zwischen Fotografie, Skulptur und Installation verhandelt er Identität, Körperlichkeit und Geschlecht im Spannungsfeld gesellschaftlicher Normen. Er studiert Bildende Kunst an der Universität der Künste Berlin bei Prof. Manfred Pernice.
Seine Arbeiten wurden u. a. im Kunstraum Bethanien (Berlin), bei den Wiesbadener Fototagen und in der Ausstellung „Spuren der Nähe“ im Dialog mit Werken von Käthe Kollwitz in den Kunstsammlungen Chemnitz gezeigt. Seine fotografische Serie „Body to Body“ erschien 2026 in THE OPÉRA – Volume XIII / „Mythos Issue“, dem internationalen Magazin für klassische und zeitgenössische Aktfotografie.
2026 wurde er für den Young Generation Art Award des Monopol Magazins nominiert, einem Preis zur Förderung herausragender Positionen junger Gegenwartskunst.
ENG
Arne Grashoff (*1995) lives and works in Berlin. In his interdisciplinary practice spanning photography, sculpture, and installation, he explores identity, corporeality, and gender within the tension of social norms. He is currently studying Fine Arts at the Berlin University of the Arts under Prof. Manfred Pernice.His work has been presented at, among others, Kunstraum Bethanien (Berlin), the Wiesbaden Photo Festival, and the exhibition "Spuren der Nähe" in dialogue with works by Käthe Kollwitz at the Art Collections Chemnitz. His photographic series "Body to Body" was published in 2026 in "THE OPÉRA – Volume XIII / Mythos Issue", the international magazine for classical and contemporary nude photography.
In 2026, he was nominated for the Young Generation Art Award by Monopol Magazin, a prize dedicated to supporting outstanding positions in emerging contemporary art.
ARTIST STATEMENT
In meiner Arbeitweise erweitere ich die Fotografie über ihre zweidimensionale Bildfläche hinaus in den Raum – hin zu Skulptur und Installation. Mich interessieren die Übergänge: zwischen Abbild und Objekt, Körper und Material, Sichtbarkeit und Empfindung. Fotografien werden bei mir zu körperlich erfahrbaren, räumlich präsenten Objekten, deren Materialität integraler Teil ihrer Aussage ist. Ich arbeite mit Alltagsmaterialien wie Textilien, PVC, Silikon oder Wachs, aber auch mit gebräuchlichen Objekten, die durch ihre Kontexte aufgeladen sind. Durch Verfahren wie Hitze, Druck oder chemische Reaktionen transformiere ich diese Materialien, lasse sie sich verformen, verflüssigen, verhärten – um Medien, Bedeutungen und Substanzen miteinander zu verschmelzen. Transformation wird dabei zu einem ästhetisch wie politisch wirksamen Prinzip.Mein reflexives Vorgehen hinterfragt die Wahrnehmung des Mediums Fotografie sowie den künstlerischen, gesellschaftlichen, sozialen und kulturellen Umgang mit der physischen Realität ihres Daseins. Meine fotografischen Skulpturen untersuche ich unter den Aspekten von Bildkörper und Bildraum, ihrer Beziehung zu Betrachter:innen sowie ihrer plastischen Potenzialität im Zusammenspiel mit Alltagsobjekten.
In meinem Ansatz betrachte ich Fotografien nicht nur als Bilder, sondern auch als Objekte, und betone dabei die Bedeutung ihrer Materialität für Interpretation und Nutzung. Ich benütze Fotografie als künstlerisch-räumliches Medium in Abgrenzung zu einer abbildenden, die Wirklichkeit dokumentierenden Fotografie: Das Foto verstehe ich nicht mehr als Dokument, sondern als Material zur Erschaffung von Skulpturen und Installationen. Bilder werden demnach neben ihrer visuellen Aussage auch als materielle Akteure verstanden, die nicht nur die dargestellten Objekte indexikalisch vermitteln, sondern auch zentrale Funktionen in sozialen und kulturellen Strukturen einnehmen können.
Aus dieser Auseinandersetzung ergibt sich für mich eine grundlegende Frage: können wir das Foto nicht bloß als Bild betrachten, sondern auch als Objekt, als physische Realität, die dreidimensional sein kann und Konsistenz, Dichte, Stofflichkeit und Volumen besitzt. Kurz, als etwas, das sich auch als Skulptur ansehen lässt und somit die Beziehung umdefiniert, die die Betrachter:innen zum Werk haben: Es geht nicht mehr bloß um das Sehen, sondern auch um das Fühlen. Um das Abtasten mit den Augen. Um eine Erfahrung, die nicht nur auf dem Blick beruht, sondern, umfassender, auf jeder physischen und psychischen Empfindung, die vom Skulpturdispositiv des Werks programmiert wird.Zentrale Themen meiner Arbeit sind Identität, Körperlichkeit und Geschlecht im Spannungsfeld gesellschaftlicher Normen. Ich verstehe meine skulpturalen Fotografien als fragile Gegenräume, die Intimität, Fürsorge und Ambiguität nicht nur zeigen, sondern verkörpern. In einem queeren Selbstverständnis begreife ich Fotografie nicht als Mittel der Repräsentation, sondern als Widerhall und Spur geteilter Erfahrung, geprägt von Brüchen, Zugehörigkeit und Widerstand. Der fotografische Prozess ist für mich dialogisch: Die Kamera ist keine Beobachterin, sondern eine mitfühlende Begleiterin. So entstehen Arbeiten, die Beziehungen sichtbar machen – zwischen Körpern, Materialien und gesellschaftlichen Zuschreibungen.Meine Werke situieren sich zwischen postdigitaler Bildkultur, installativer Raumstrategie und queerer Körperpolitik. Sie suchen nicht nach festen Wahrheiten, sondern öffnen Möglichkeitsräume: verletzliche, atmende, transformative Objekte im Widerstand gegen normative Ordnungen.
ENG
In my artistic practice, I expand photography beyond its two-dimensional image surface into space — towards sculpture and installation. I am interested in transitions: between image and object, body and material, visibility and sensation. In my work, photographs become spatially present, physically perceivable objects whose materiality forms an integral part of their meaning. I work with everyday materials such as textiles, PVC, silicone, and wax, as well as commonplace objects charged through their social and cultural contexts. Through processes involving heat, pressure, and chemical reactions, I transform these materials — allowing them to deform, liquefy, harden — in order to merge media, meanings, and substances. Transformation thus becomes both an aesthetic and political principle.My reflective approach questions the perception of photography as a medium, as well as the artistic, social, and cultural engagement with the physical reality of its existence. I examine my photographic sculptures through the notions of image-body and image-space, their relationship to the viewer, and their sculptural potential in dialogue with everyday objects.In my practice, I consider photographs not merely as images, but as objects, emphasizing the significance of their materiality for interpretation and use. I employ photography as a spatial and sculptural medium, distancing it from a purely representational or documentary function. The photograph is no longer understood as a document, but as material for the creation of sculptures and installations. Images therefore operate not only through their visual content, but also as material agents that can assume central roles within social and cultural structures.From this engagement emerges a fundamental question: can we understand the photograph not only as an image, but also as an object — a physical reality that may possess dimensionality, density, texture, and volume? In short, as something that can also be approached as sculpture, thereby redefining the relationship between viewer and work. It is no longer solely about seeing, but also about sensing. About touching with the eyes. About an experience grounded not only in vision, but in the full range of physical and psychological sensations activated by the sculptural dispositif of the work.Central themes in my work are identity, corporeality, and gender within the tension of social norms. I understand my sculptural photographs as fragile counter-spaces that do not merely depict intimacy, care, and ambiguity, but embody them. From a queer perspective, I approach photography not as a means of representation, but as an echo and trace of shared experience — shaped by rupture, belonging, and resistance. For me, the photographic process is dialogical: the camera is not an observer, but an empathetic companion. In this way, the works make relationships visible — between bodies, materials, and social inscriptions.My works situate themselves between post-digital image culture, installation-based spatial strategies, and queer politics of the body. Rather than seeking fixed truths, they open spaces of possibility: vulnerable, breathing, transformative objects resisting normative orders.
Disclaimer
1. Content
The author reserves the right not to be responsible for the topicality, correctness, completeness or quality of the information provided. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect,will therefore be rejected. All offers are not-binding and without obligation. Parts of the pages or the complete publication including all offers and information might be extended, changed or partly or completely deleted by the author without separate announcement.
2. Referrals and links
The author is not responsible for any contents linked or referred to from his pages - unless he has full knowledge of illegal contents and would be able to prevent the visitors of his site fromviewing those pages. If any damage occurs by the use of information presented there, only the author of the respective pages might be liable, not the one who has linked to these pages. Furthermore the author is not liable for any postings or messages published by users of discussion boards, guestbooks or mailinglists provided on his page.
3. Copyright
The author intended not to use any copyrighted material for the publication or, if not possible, to indicate the copyright of the respective object. The copyright for any material created by the author is reserved. Any duplication or use of objects such as images, diagrams, sounds or texts in other electronic or printed publications is not permitted without the author's agreement.
4. Privacy policy
If the opportunity for the input of personal or business data (email addresses, name, addresses) is given, the input of these data takes place voluntarily. The use and payment of all offered services are permitted - if and so far technically possible and reasonable - without specification of any personal data or under specification of anonymized data or an alias. The use of published postal addresses, telephone or fax numbers and email addresses for marketing purposes is prohibited, offenders sending unwanted spam messages will be punished.
5. Legal validity of this disclaimer
This disclaimer is to be regarded as part of the internet publication which you were referred from. If sections or individual terms of this statement are not legal or correct, the content or validity of the other parts remain uninfluenced by this fact.
Seine Arbeiten wurden u. a. im Kunstraum Bethanien (Berlin), bei den Wiesbadener Fototagen und in der Ausstellung „Spuren der Nähe“ im Dialog mit Werken von Käthe Kollwitz in den Kunstsammlungen Chemnitz gezeigt. Seine fotografische Serie „Body to Body“ erschien 2026 in THE OPÉRA – Volume XIII / „Mythos Issue“, dem internationalen Magazin für klassische und zeitgenössische Aktfotografie.
2026 wurde er für den Young Generation Art Award des Monopol Magazins nominiert, einem Preis zur Förderung herausragender Positionen junger Gegenwartskunst.
ENG
Arne Grashoff (*1995) lives and works in Berlin. In his interdisciplinary practice spanning photography, sculpture, and installation, he explores identity, corporeality, and gender within the tension of social norms. He is currently studying Fine Arts at the Berlin University of the Arts under Prof. Manfred Pernice.His work has been presented at, among others, Kunstraum Bethanien (Berlin), the Wiesbaden Photo Festival, and the exhibition "Spuren der Nähe" in dialogue with works by Käthe Kollwitz at the Art Collections Chemnitz. His photographic series "Body to Body" was published in 2026 in "THE OPÉRA – Volume XIII / Mythos Issue", the international magazine for classical and contemporary nude photography.
In 2026, he was nominated for the Young Generation Art Award by Monopol Magazin, a prize dedicated to supporting outstanding positions in emerging contemporary art.
ARTIST STATEMENT
In meiner Arbeitweise erweitere ich die Fotografie über ihre zweidimensionale Bildfläche hinaus in den Raum – hin zu Skulptur und Installation. Mich interessieren die Übergänge: zwischen Abbild und Objekt, Körper und Material, Sichtbarkeit und Empfindung. Fotografien werden bei mir zu körperlich erfahrbaren, räumlich präsenten Objekten, deren Materialität integraler Teil ihrer Aussage ist. Ich arbeite mit Alltagsmaterialien wie Textilien, PVC, Silikon oder Wachs, aber auch mit gebräuchlichen Objekten, die durch ihre Kontexte aufgeladen sind. Durch Verfahren wie Hitze, Druck oder chemische Reaktionen transformiere ich diese Materialien, lasse sie sich verformen, verflüssigen, verhärten – um Medien, Bedeutungen und Substanzen miteinander zu verschmelzen. Transformation wird dabei zu einem ästhetisch wie politisch wirksamen Prinzip.Mein reflexives Vorgehen hinterfragt die Wahrnehmung des Mediums Fotografie sowie den künstlerischen, gesellschaftlichen, sozialen und kulturellen Umgang mit der physischen Realität ihres Daseins. Meine fotografischen Skulpturen untersuche ich unter den Aspekten von Bildkörper und Bildraum, ihrer Beziehung zu Betrachter:innen sowie ihrer plastischen Potenzialität im Zusammenspiel mit Alltagsobjekten.
In meinem Ansatz betrachte ich Fotografien nicht nur als Bilder, sondern auch als Objekte, und betone dabei die Bedeutung ihrer Materialität für Interpretation und Nutzung. Ich benütze Fotografie als künstlerisch-räumliches Medium in Abgrenzung zu einer abbildenden, die Wirklichkeit dokumentierenden Fotografie: Das Foto verstehe ich nicht mehr als Dokument, sondern als Material zur Erschaffung von Skulpturen und Installationen. Bilder werden demnach neben ihrer visuellen Aussage auch als materielle Akteure verstanden, die nicht nur die dargestellten Objekte indexikalisch vermitteln, sondern auch zentrale Funktionen in sozialen und kulturellen Strukturen einnehmen können.
Aus dieser Auseinandersetzung ergibt sich für mich eine grundlegende Frage: können wir das Foto nicht bloß als Bild betrachten, sondern auch als Objekt, als physische Realität, die dreidimensional sein kann und Konsistenz, Dichte, Stofflichkeit und Volumen besitzt. Kurz, als etwas, das sich auch als Skulptur ansehen lässt und somit die Beziehung umdefiniert, die die Betrachter:innen zum Werk haben: Es geht nicht mehr bloß um das Sehen, sondern auch um das Fühlen. Um das Abtasten mit den Augen. Um eine Erfahrung, die nicht nur auf dem Blick beruht, sondern, umfassender, auf jeder physischen und psychischen Empfindung, die vom Skulpturdispositiv des Werks programmiert wird.Zentrale Themen meiner Arbeit sind Identität, Körperlichkeit und Geschlecht im Spannungsfeld gesellschaftlicher Normen. Ich verstehe meine skulpturalen Fotografien als fragile Gegenräume, die Intimität, Fürsorge und Ambiguität nicht nur zeigen, sondern verkörpern. In einem queeren Selbstverständnis begreife ich Fotografie nicht als Mittel der Repräsentation, sondern als Widerhall und Spur geteilter Erfahrung, geprägt von Brüchen, Zugehörigkeit und Widerstand. Der fotografische Prozess ist für mich dialogisch: Die Kamera ist keine Beobachterin, sondern eine mitfühlende Begleiterin. So entstehen Arbeiten, die Beziehungen sichtbar machen – zwischen Körpern, Materialien und gesellschaftlichen Zuschreibungen.Meine Werke situieren sich zwischen postdigitaler Bildkultur, installativer Raumstrategie und queerer Körperpolitik. Sie suchen nicht nach festen Wahrheiten, sondern öffnen Möglichkeitsräume: verletzliche, atmende, transformative Objekte im Widerstand gegen normative Ordnungen.
ENG
In my artistic practice, I expand photography beyond its two-dimensional image surface into space — towards sculpture and installation. I am interested in transitions: between image and object, body and material, visibility and sensation. In my work, photographs become spatially present, physically perceivable objects whose materiality forms an integral part of their meaning. I work with everyday materials such as textiles, PVC, silicone, and wax, as well as commonplace objects charged through their social and cultural contexts. Through processes involving heat, pressure, and chemical reactions, I transform these materials — allowing them to deform, liquefy, harden — in order to merge media, meanings, and substances. Transformation thus becomes both an aesthetic and political principle.My reflective approach questions the perception of photography as a medium, as well as the artistic, social, and cultural engagement with the physical reality of its existence. I examine my photographic sculptures through the notions of image-body and image-space, their relationship to the viewer, and their sculptural potential in dialogue with everyday objects.In my practice, I consider photographs not merely as images, but as objects, emphasizing the significance of their materiality for interpretation and use. I employ photography as a spatial and sculptural medium, distancing it from a purely representational or documentary function. The photograph is no longer understood as a document, but as material for the creation of sculptures and installations. Images therefore operate not only through their visual content, but also as material agents that can assume central roles within social and cultural structures.From this engagement emerges a fundamental question: can we understand the photograph not only as an image, but also as an object — a physical reality that may possess dimensionality, density, texture, and volume? In short, as something that can also be approached as sculpture, thereby redefining the relationship between viewer and work. It is no longer solely about seeing, but also about sensing. About touching with the eyes. About an experience grounded not only in vision, but in the full range of physical and psychological sensations activated by the sculptural dispositif of the work.Central themes in my work are identity, corporeality, and gender within the tension of social norms. I understand my sculptural photographs as fragile counter-spaces that do not merely depict intimacy, care, and ambiguity, but embody them. From a queer perspective, I approach photography not as a means of representation, but as an echo and trace of shared experience — shaped by rupture, belonging, and resistance. For me, the photographic process is dialogical: the camera is not an observer, but an empathetic companion. In this way, the works make relationships visible — between bodies, materials, and social inscriptions.My works situate themselves between post-digital image culture, installation-based spatial strategies, and queer politics of the body. Rather than seeking fixed truths, they open spaces of possibility: vulnerable, breathing, transformative objects resisting normative orders.
Disclaimer
1. Content
The author reserves the right not to be responsible for the topicality, correctness, completeness or quality of the information provided. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect,will therefore be rejected. All offers are not-binding and without obligation. Parts of the pages or the complete publication including all offers and information might be extended, changed or partly or completely deleted by the author without separate announcement.
2. Referrals and links
The author is not responsible for any contents linked or referred to from his pages - unless he has full knowledge of illegal contents and would be able to prevent the visitors of his site fromviewing those pages. If any damage occurs by the use of information presented there, only the author of the respective pages might be liable, not the one who has linked to these pages. Furthermore the author is not liable for any postings or messages published by users of discussion boards, guestbooks or mailinglists provided on his page.
3. Copyright
The author intended not to use any copyrighted material for the publication or, if not possible, to indicate the copyright of the respective object. The copyright for any material created by the author is reserved. Any duplication or use of objects such as images, diagrams, sounds or texts in other electronic or printed publications is not permitted without the author's agreement.
4. Privacy policy
If the opportunity for the input of personal or business data (email addresses, name, addresses) is given, the input of these data takes place voluntarily. The use and payment of all offered services are permitted - if and so far technically possible and reasonable - without specification of any personal data or under specification of anonymized data or an alias. The use of published postal addresses, telephone or fax numbers and email addresses for marketing purposes is prohibited, offenders sending unwanted spam messages will be punished.
5. Legal validity of this disclaimer
This disclaimer is to be regarded as part of the internet publication which you were referred from. If sections or individual terms of this statement are not legal or correct, the content or validity of the other parts remain uninfluenced by this fact.
Arne Grashoff (*1995) lebt und arbeitet in Berlin. In seiner interdisziplinären Praxis zwischen Fotografie, Skulptur und Installation verhandelt er Identität, Körperlichkeit und Geschlecht im Spannungsfeld gesellschaftlicher Normen. Er studiert Bildende Kunst an der Universität der Künste Berlin bei Prof. Manfred Pernice.
Seine Arbeiten wurden u. a. im Kunstraum Bethanien (Berlin), bei den Wiesbadener Fototagen und in der Ausstellung „Spuren der Nähe“ im Dialog mit Werken von Käthe Kollwitz in den Kunstsammlungen Chemnitz gezeigt. Seine fotografische Serie „Body to Body“ erschien 2026 in THE OPÉRA – Volume XIII / „Mythos Issue“, dem internationalen Magazin für klassische und zeitgenössische Aktfotografie.
2026 wurde er für den Young Generation Art Award des Monopol Magazins nominiert, einem Preis zur Förderung herausragender Positionen junger Gegenwartskunst.
ENG
Arne Grashoff (*1995) lives and works in Berlin. In his interdisciplinary practice spanning photography, sculpture, and installation, he explores identity, corporeality, and gender within the tension of social norms. He is currently studying Fine Arts at the Berlin University of the Arts under Prof. Manfred Pernice.His work has been presented at, among others, Kunstraum Bethanien (Berlin), the Wiesbaden Photo Festival, and the exhibition "Spuren der Nähe" in dialogue with works by Käthe Kollwitz at the Art Collections Chemnitz. His photographic series "Body to Body" was published in 2026 in "THE OPÉRA – Volume XIII / Mythos Issue", the international magazine for classical and contemporary nude photography.
In 2026, he was nominated for the Young Generation Art Award by Monopol Magazin, a prize dedicated to supporting outstanding positions in emerging contemporary art.
ARTIST STATEMENT
In meiner Arbeitweise erweitere ich die Fotografie über ihre zweidimensionale Bildfläche hinaus in den Raum – hin zu Skulptur und Installation. Mich interessieren die Übergänge: zwischen Abbild und Objekt, Körper und Material, Sichtbarkeit und Empfindung. Fotografien werden bei mir zu körperlich erfahrbaren, räumlich präsenten Objekten, deren Materialität integraler Teil ihrer Aussage ist. Ich arbeite mit Alltagsmaterialien wie Textilien, PVC, Silikon oder Wachs, aber auch mit gebräuchlichen Objekten, die durch ihre Kontexte aufgeladen sind. Durch Verfahren wie Hitze, Druck oder chemische Reaktionen transformiere ich diese Materialien, lasse sie sich verformen, verflüssigen, verhärten – um Medien, Bedeutungen und Substanzen miteinander zu verschmelzen. Transformation wird dabei zu einem ästhetisch wie politisch wirksamen Prinzip.Mein reflexives Vorgehen hinterfragt die Wahrnehmung des Mediums Fotografie sowie den künstlerischen, gesellschaftlichen, sozialen und kulturellen Umgang mit der physischen Realität ihres Daseins. Meine fotografischen Skulpturen untersuche ich unter den Aspekten von Bildkörper und Bildraum, ihrer Beziehung zu Betrachter:innen sowie ihrer plastischen Potenzialität im Zusammenspiel mit Alltagsobjekten.
In meinem Ansatz betrachte ich Fotografien nicht nur als Bilder, sondern auch als Objekte, und betone dabei die Bedeutung ihrer Materialität für Interpretation und Nutzung. Ich benütze Fotografie als künstlerisch-räumliches Medium in Abgrenzung zu einer abbildenden, die Wirklichkeit dokumentierenden Fotografie: Das Foto verstehe ich nicht mehr als Dokument, sondern als Material zur Erschaffung von Skulpturen und Installationen. Bilder werden demnach neben ihrer visuellen Aussage auch als materielle Akteure verstanden, die nicht nur die dargestellten Objekte indexikalisch vermitteln, sondern auch zentrale Funktionen in sozialen und kulturellen Strukturen einnehmen können.
Aus dieser Auseinandersetzung ergibt sich für mich eine grundlegende Frage: können wir das Foto nicht bloß als Bild betrachten, sondern auch als Objekt, als physische Realität, die dreidimensional sein kann und Konsistenz, Dichte, Stofflichkeit und Volumen besitzt. Kurz, als etwas, das sich auch als Skulptur ansehen lässt und somit die Beziehung umdefiniert, die die Betrachter:innen zum Werk haben: Es geht nicht mehr bloß um das Sehen, sondern auch um das Fühlen. Um das Abtasten mit den Augen. Um eine Erfahrung, die nicht nur auf dem Blick beruht, sondern, umfassender, auf jeder physischen und psychischen Empfindung, die vom Skulpturdispositiv des Werks programmiert wird.Zentrale Themen meiner Arbeit sind Identität, Körperlichkeit und Geschlecht im Spannungsfeld gesellschaftlicher Normen. Ich verstehe meine skulpturalen Fotografien als fragile Gegenräume, die Intimität, Fürsorge und Ambiguität nicht nur zeigen, sondern verkörpern. In einem queeren Selbstverständnis begreife ich Fotografie nicht als Mittel der Repräsentation, sondern als Widerhall und Spur geteilter Erfahrung, geprägt von Brüchen, Zugehörigkeit und Widerstand. Der fotografische Prozess ist für mich dialogisch: Die Kamera ist keine Beobachterin, sondern eine mitfühlende Begleiterin. So entstehen Arbeiten, die Beziehungen sichtbar machen – zwischen Körpern, Materialien und gesellschaftlichen Zuschreibungen.Meine Werke situieren sich zwischen postdigitaler Bildkultur, installativer Raumstrategie und queerer Körperpolitik. Sie suchen nicht nach festen Wahrheiten, sondern öffnen Möglichkeitsräume: verletzliche, atmende, transformative Objekte im Widerstand gegen normative Ordnungen.
ENG
In my artistic practice, I expand photography beyond its two-dimensional image surface into space — towards sculpture and installation. I am interested in transitions: between image and object, body and material, visibility and sensation. In my work, photographs become spatially present, physically perceivable objects whose materiality forms an integral part of their meaning. I work with everyday materials such as textiles, PVC, silicone, and wax, as well as commonplace objects charged through their social and cultural contexts. Through processes involving heat, pressure, and chemical reactions, I transform these materials — allowing them to deform, liquefy, harden — in order to merge media, meanings, and substances. Transformation thus becomes both an aesthetic and political principle.My reflective approach questions the perception of photography as a medium, as well as the artistic, social, and cultural engagement with the physical reality of its existence. I examine my photographic sculptures through the notions of image-body and image-space, their relationship to the viewer, and their sculptural potential in dialogue with everyday objects.In my practice, I consider photographs not merely as images, but as objects, emphasizing the significance of their materiality for interpretation and use. I employ photography as a spatial and sculptural medium, distancing it from a purely representational or documentary function. The photograph is no longer understood as a document, but as material for the creation of sculptures and installations. Images therefore operate not only through their visual content, but also as material agents that can assume central roles within social and cultural structures.From this engagement emerges a fundamental question: can we understand the photograph not only as an image, but also as an object — a physical reality that may possess dimensionality, density, texture, and volume? In short, as something that can also be approached as sculpture, thereby redefining the relationship between viewer and work. It is no longer solely about seeing, but also about sensing. About touching with the eyes. About an experience grounded not only in vision, but in the full range of physical and psychological sensations activated by the sculptural dispositif of the work.Central themes in my work are identity, corporeality, and gender within the tension of social norms. I understand my sculptural photographs as fragile counter-spaces that do not merely depict intimacy, care, and ambiguity, but embody them. From a queer perspective, I approach photography not as a means of representation, but as an echo and trace of shared experience — shaped by rupture, belonging, and resistance. For me, the photographic process is dialogical: the camera is not an observer, but an empathetic companion. In this way, the works make relationships visible — between bodies, materials, and social inscriptions.My works situate themselves between post-digital image culture, installation-based spatial strategies, and queer politics of the body. Rather than seeking fixed truths, they open spaces of possibility: vulnerable, breathing, transformative objects resisting normative orders.
CV
AWARDS
Shortlisted for the Young Generation Art Award 2026
Monopol Magazin
SELECTED SOLO AND DUO
2023 If I Were Your Body, Palermo Galerie, Stuttgart,
Germany (duo)
2024 Human Makes Human, Off-Space Conrad Electronics, Stuttgart, Germany (solo)
2024 Listening to Objects (BA Graduation Exhibition), Faculty of Design,
Pforzheim University (solo)
SELECTED GROUPSHOWS
2021 Heides Contemporary Hits, LAF Pforzheim,
Germany (group exhibition)
2022 Mirror Machines, Maschinenfabrik Heilbronn,
Germany (group exhibition)
2023 Im Chaos habe ich meine Hände verloren, Galerie Künstlergilde Buslat, Germany (
group exhibition)
2025 Ich sehe was, was du nicht siehst, Kunstraum Bethanien, Berlin, Germany (group exhibition)
2025 Home Away From Home, Pandora Art Gallery, Berlin, Germany (group exhibition)
2025 Wiesbadener Fototage, Künstlerverein Walkühle, Wiesbaden, Germany
(group exhibition, selected)
2025 Contemporary Faces, SOV - See Our Vision Gallery, Berlin, Germany (group exhibition)
2025 Young Generation Art Award 2026, Degussa Niederlassung, Berlin, Germany
(group exhibition)
2025 NAK Charity Auction, Neuer Aachener Kunstverein, Auctioneer: Prof. Henrik Hanstein, Germany
2026 Fields of Un/rest, Städtische Galerie in den Morat-Hallen, Freiburg, Germany
2026 Mirror Mirror – Das Abbild Und Ich,
Gallery Muellerschoen Recker, Munich, Germany
2026 Käthe Kollwitz - Spuren der Nähe,
Prof. Heidi Specker’s class, Kunstsammlungen Chemnitz
2026 Klavierkonzert, Prof. Ursula Neugebauer‘s Class, Kunstverein Wien / Tonspur, Vienna, Austrian
2026 VOLT – Kunst im Bau, Prof. Ursula Neugebauer‘s Class, Offspace Berlin,
Germany
PUBLICATIONS
2025 „Body to Body“, photographic series,
published in Grafit Magazine, Issue No. 01
2025 „RAW“, photographic series, to be published in
Grafit Magazine, Issue No. 02
2025 „Body to Body“, photographic series, to be published in THE OPÉRA – Magazine for Classic & Contemporary Nude Photography, Issue No. 12
2025 Portrait, Monopol Magazine, November Issue,
as part of the Young Generation Art Award
CONTACT
For exhibition, collaboration and project
inquiries please get directly in touch.
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
Instagram @arnegrashoff
PORTFOLIO DOWNLOAD
Contact according to §5 TMG
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@dopeyard.studio
+49 (0) 157 37 62 42 44
Responsible for content according to §5 ABS. 2 RSTV
dopeyard.studio – Visual Communication & Photography
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@dopeyard.studio
+49 (0) 157 37 62 42 44
1. Content
The author reserves the right not to be responsible for the topicality, correctness, completeness or quality of the information provided. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect,will therefore be rejected. All offers are not-binding and without obligation. Parts of the pages or the complete publication including all offers and information might be extended, changed or partly or completely deleted by the author without separate announcement.
2. Referrals and links
The author is not responsible for any contents linked or referred to from his pages - unless he has full knowledge of illegal contents and would be able to prevent the visitors of his site fromviewing those pages. If any damage occurs by the use of information presented there, only the author of the respective pages might be liable, not the one who has linked to these pages. Furthermore the author is not liable for any postings or messages published by users of discussion boards, guestbooks or mailinglists provided on his page.
3. Copyright
The author intended not to use any copyrighted material for the publication or, if not possible, to indicate the copyright of the respective object. The copyright for any material created by the author is reserved. Any duplication or use of objects such as images, diagrams, sounds or texts in other electronic or printed publications is not permitted without the author's agreement.
4. Privacy policy
If the opportunity for the input of personal or business data (email addresses, name, addresses) is given, the input of these data takes place voluntarily. The use and payment of all offered services are permitted - if and so far technically possible and reasonable - without specification of any personal data or under specification of anonymized data or an alias. The use of published postal addresses, telephone or fax numbers and email addresses for marketing purposes is prohibited, offenders sending unwanted spam messages will be punished.
5. Legal validity of this disclaimer
This disclaimer is to be regarded as part of the internet publication which you were referred from. If sections or individual terms of this statement are not legal or correct, the content or validity of the other parts remain uninfluenced by this fact.
Seine Arbeiten wurden u. a. im Kunstraum Bethanien (Berlin), bei den Wiesbadener Fototagen und in der Ausstellung „Spuren der Nähe“ im Dialog mit Werken von Käthe Kollwitz in den Kunstsammlungen Chemnitz gezeigt. Seine fotografische Serie „Body to Body“ erschien 2026 in THE OPÉRA – Volume XIII / „Mythos Issue“, dem internationalen Magazin für klassische und zeitgenössische Aktfotografie.
2026 wurde er für den Young Generation Art Award des Monopol Magazins nominiert, einem Preis zur Förderung herausragender Positionen junger Gegenwartskunst.
ENG
Arne Grashoff (*1995) lives and works in Berlin. In his interdisciplinary practice spanning photography, sculpture, and installation, he explores identity, corporeality, and gender within the tension of social norms. He is currently studying Fine Arts at the Berlin University of the Arts under Prof. Manfred Pernice.His work has been presented at, among others, Kunstraum Bethanien (Berlin), the Wiesbaden Photo Festival, and the exhibition "Spuren der Nähe" in dialogue with works by Käthe Kollwitz at the Art Collections Chemnitz. His photographic series "Body to Body" was published in 2026 in "THE OPÉRA – Volume XIII / Mythos Issue", the international magazine for classical and contemporary nude photography.
In 2026, he was nominated for the Young Generation Art Award by Monopol Magazin, a prize dedicated to supporting outstanding positions in emerging contemporary art.
ARTIST STATEMENT
In meiner Arbeitweise erweitere ich die Fotografie über ihre zweidimensionale Bildfläche hinaus in den Raum – hin zu Skulptur und Installation. Mich interessieren die Übergänge: zwischen Abbild und Objekt, Körper und Material, Sichtbarkeit und Empfindung. Fotografien werden bei mir zu körperlich erfahrbaren, räumlich präsenten Objekten, deren Materialität integraler Teil ihrer Aussage ist. Ich arbeite mit Alltagsmaterialien wie Textilien, PVC, Silikon oder Wachs, aber auch mit gebräuchlichen Objekten, die durch ihre Kontexte aufgeladen sind. Durch Verfahren wie Hitze, Druck oder chemische Reaktionen transformiere ich diese Materialien, lasse sie sich verformen, verflüssigen, verhärten – um Medien, Bedeutungen und Substanzen miteinander zu verschmelzen. Transformation wird dabei zu einem ästhetisch wie politisch wirksamen Prinzip.Mein reflexives Vorgehen hinterfragt die Wahrnehmung des Mediums Fotografie sowie den künstlerischen, gesellschaftlichen, sozialen und kulturellen Umgang mit der physischen Realität ihres Daseins. Meine fotografischen Skulpturen untersuche ich unter den Aspekten von Bildkörper und Bildraum, ihrer Beziehung zu Betrachter:innen sowie ihrer plastischen Potenzialität im Zusammenspiel mit Alltagsobjekten.
In meinem Ansatz betrachte ich Fotografien nicht nur als Bilder, sondern auch als Objekte, und betone dabei die Bedeutung ihrer Materialität für Interpretation und Nutzung. Ich benütze Fotografie als künstlerisch-räumliches Medium in Abgrenzung zu einer abbildenden, die Wirklichkeit dokumentierenden Fotografie: Das Foto verstehe ich nicht mehr als Dokument, sondern als Material zur Erschaffung von Skulpturen und Installationen. Bilder werden demnach neben ihrer visuellen Aussage auch als materielle Akteure verstanden, die nicht nur die dargestellten Objekte indexikalisch vermitteln, sondern auch zentrale Funktionen in sozialen und kulturellen Strukturen einnehmen können.
Aus dieser Auseinandersetzung ergibt sich für mich eine grundlegende Frage: können wir das Foto nicht bloß als Bild betrachten, sondern auch als Objekt, als physische Realität, die dreidimensional sein kann und Konsistenz, Dichte, Stofflichkeit und Volumen besitzt. Kurz, als etwas, das sich auch als Skulptur ansehen lässt und somit die Beziehung umdefiniert, die die Betrachter:innen zum Werk haben: Es geht nicht mehr bloß um das Sehen, sondern auch um das Fühlen. Um das Abtasten mit den Augen. Um eine Erfahrung, die nicht nur auf dem Blick beruht, sondern, umfassender, auf jeder physischen und psychischen Empfindung, die vom Skulpturdispositiv des Werks programmiert wird.Zentrale Themen meiner Arbeit sind Identität, Körperlichkeit und Geschlecht im Spannungsfeld gesellschaftlicher Normen. Ich verstehe meine skulpturalen Fotografien als fragile Gegenräume, die Intimität, Fürsorge und Ambiguität nicht nur zeigen, sondern verkörpern. In einem queeren Selbstverständnis begreife ich Fotografie nicht als Mittel der Repräsentation, sondern als Widerhall und Spur geteilter Erfahrung, geprägt von Brüchen, Zugehörigkeit und Widerstand. Der fotografische Prozess ist für mich dialogisch: Die Kamera ist keine Beobachterin, sondern eine mitfühlende Begleiterin. So entstehen Arbeiten, die Beziehungen sichtbar machen – zwischen Körpern, Materialien und gesellschaftlichen Zuschreibungen.Meine Werke situieren sich zwischen postdigitaler Bildkultur, installativer Raumstrategie und queerer Körperpolitik. Sie suchen nicht nach festen Wahrheiten, sondern öffnen Möglichkeitsräume: verletzliche, atmende, transformative Objekte im Widerstand gegen normative Ordnungen.
ENG
In my artistic practice, I expand photography beyond its two-dimensional image surface into space — towards sculpture and installation. I am interested in transitions: between image and object, body and material, visibility and sensation. In my work, photographs become spatially present, physically perceivable objects whose materiality forms an integral part of their meaning. I work with everyday materials such as textiles, PVC, silicone, and wax, as well as commonplace objects charged through their social and cultural contexts. Through processes involving heat, pressure, and chemical reactions, I transform these materials — allowing them to deform, liquefy, harden — in order to merge media, meanings, and substances. Transformation thus becomes both an aesthetic and political principle.My reflective approach questions the perception of photography as a medium, as well as the artistic, social, and cultural engagement with the physical reality of its existence. I examine my photographic sculptures through the notions of image-body and image-space, their relationship to the viewer, and their sculptural potential in dialogue with everyday objects.In my practice, I consider photographs not merely as images, but as objects, emphasizing the significance of their materiality for interpretation and use. I employ photography as a spatial and sculptural medium, distancing it from a purely representational or documentary function. The photograph is no longer understood as a document, but as material for the creation of sculptures and installations. Images therefore operate not only through their visual content, but also as material agents that can assume central roles within social and cultural structures.From this engagement emerges a fundamental question: can we understand the photograph not only as an image, but also as an object — a physical reality that may possess dimensionality, density, texture, and volume? In short, as something that can also be approached as sculpture, thereby redefining the relationship between viewer and work. It is no longer solely about seeing, but also about sensing. About touching with the eyes. About an experience grounded not only in vision, but in the full range of physical and psychological sensations activated by the sculptural dispositif of the work.Central themes in my work are identity, corporeality, and gender within the tension of social norms. I understand my sculptural photographs as fragile counter-spaces that do not merely depict intimacy, care, and ambiguity, but embody them. From a queer perspective, I approach photography not as a means of representation, but as an echo and trace of shared experience — shaped by rupture, belonging, and resistance. For me, the photographic process is dialogical: the camera is not an observer, but an empathetic companion. In this way, the works make relationships visible — between bodies, materials, and social inscriptions.My works situate themselves between post-digital image culture, installation-based spatial strategies, and queer politics of the body. Rather than seeking fixed truths, they open spaces of possibility: vulnerable, breathing, transformative objects resisting normative orders.
CV
AWARDS
Shortlisted for the Young Generation Art Award 2026
Monopol Magazin
SELECTED SOLO AND DUO
2023 If I Were Your Body, Palermo Galerie, Stuttgart,
Germany (duo)
2024 Human Makes Human, Off-Space Conrad Electronics, Stuttgart, Germany (solo)
2024 Listening to Objects (BA Graduation Exhibition), Faculty of Design,
Pforzheim University (solo)
SELECTED GROUPSHOWS
2021 Heides Contemporary Hits, LAF Pforzheim,
Germany (group exhibition)
2022 Mirror Machines, Maschinenfabrik Heilbronn,
Germany (group exhibition)
2023 Im Chaos habe ich meine Hände verloren, Galerie Künstlergilde Buslat, Germany (
group exhibition)
2025 Ich sehe was, was du nicht siehst, Kunstraum Bethanien, Berlin, Germany (group exhibition)
2025 Home Away From Home, Pandora Art Gallery, Berlin, Germany (group exhibition)
2025 Wiesbadener Fototage, Künstlerverein Walkühle, Wiesbaden, Germany
(group exhibition, selected)
2025 Contemporary Faces, SOV - See Our Vision Gallery, Berlin, Germany (group exhibition)
2025 Young Generation Art Award 2026, Degussa Niederlassung, Berlin, Germany
(group exhibition)
2025 NAK Charity Auction, Neuer Aachener Kunstverein, Auctioneer: Prof. Henrik Hanstein, Germany
2026 Fields of Un/rest, Städtische Galerie in den Morat-Hallen, Freiburg, Germany
2026 Mirror Mirror – Das Abbild Und Ich,
Gallery Muellerschoen Recker, Munich, Germany
2026 Käthe Kollwitz - Spuren der Nähe,
Prof. Heidi Specker’s class, Kunstsammlungen Chemnitz
2026 Klavierkonzert, Prof. Ursula Neugebauer‘s Class, Kunstverein Wien / Tonspur, Vienna, Austrian
2026 VOLT – Kunst im Bau, Prof. Ursula Neugebauer‘s Class, Offspace Berlin,
Germany
PUBLICATIONS
2025 „Body to Body“, photographic series,
published in Grafit Magazine, Issue No. 01
2025 „RAW“, photographic series, to be published in
Grafit Magazine, Issue No. 02
2025 „Body to Body“, photographic series, to be published in THE OPÉRA – Magazine for Classic & Contemporary Nude Photography, Issue No. 12
2025 Portrait, Monopol Magazine, November Issue,
as part of the Young Generation Art Award
CONTACT
For exhibition, collaboration and project
inquiries please get directly in touch.
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
Instagram @arnegrashoff
PORTFOLIO DOWNLOAD
Contact according to §5 TMG
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@dopeyard.studio
+49 (0) 157 37 62 42 44
Responsible for content according to §5 ABS. 2 RSTV
dopeyard.studio – Visual Communication & Photography
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@dopeyard.studio
+49 (0) 157 37 62 42 44
1. Content
The author reserves the right not to be responsible for the topicality, correctness, completeness or quality of the information provided. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect,will therefore be rejected. All offers are not-binding and without obligation. Parts of the pages or the complete publication including all offers and information might be extended, changed or partly or completely deleted by the author without separate announcement.
2. Referrals and links
The author is not responsible for any contents linked or referred to from his pages - unless he has full knowledge of illegal contents and would be able to prevent the visitors of his site fromviewing those pages. If any damage occurs by the use of information presented there, only the author of the respective pages might be liable, not the one who has linked to these pages. Furthermore the author is not liable for any postings or messages published by users of discussion boards, guestbooks or mailinglists provided on his page.
3. Copyright
The author intended not to use any copyrighted material for the publication or, if not possible, to indicate the copyright of the respective object. The copyright for any material created by the author is reserved. Any duplication or use of objects such as images, diagrams, sounds or texts in other electronic or printed publications is not permitted without the author's agreement.
4. Privacy policy
If the opportunity for the input of personal or business data (email addresses, name, addresses) is given, the input of these data takes place voluntarily. The use and payment of all offered services are permitted - if and so far technically possible and reasonable - without specification of any personal data or under specification of anonymized data or an alias. The use of published postal addresses, telephone or fax numbers and email addresses for marketing purposes is prohibited, offenders sending unwanted spam messages will be punished.
5. Legal validity of this disclaimer
This disclaimer is to be regarded as part of the internet publication which you were referred from. If sections or individual terms of this statement are not legal or correct, the content or validity of the other parts remain uninfluenced by this fact.
CV
AWARDS
Shortlisted for the Young Generation Art Award 2026
Monopol Magazin
SELECTED SOLO AND DUO
2023 If I Were Your Body, Palermo Galerie, Stuttgart,
Germany (duo)
2024 Human Makes Human, Off-Space Conrad Electronics, Stuttgart, Germany (solo)
2024 Listening to Objects (BA Graduation Exhibition), Faculty of Design, Pforzheim University (solo)
SELECTED GROUPSHOWS
2021 Heides Contemporary Hits, LAF Pforzheim,
Germany (group exhibition)
2022 Mirror Machines, Maschinenfabrik Heilbronn,
Germany (group exhibition)
2023 Im Chaos habe ich meine Hände verloren, Galerie Künstlergilde Buslat, Germany (
group exhibition)
2025 Ich sehe was, was du nicht siehst, Kunstraum Bethanien, Berlin, Germany (group exhibition)
2025 Home Away From Home, Pandora Art Gallery, Berlin, Germany (group exhibition)
2025 Wiesbadener Fototage, Künstlerverein Walkühle, Wiesbaden, Germany
(group exhibition, selected)
2025 Contemporary Faces, SOV - See Our Vision Gallery, Berlin, Germany (group exhibition)
2025 Young Generation Art Award 2026, Degussa Niederlassung, Berlin, Germany
(group exhibition)
2025 NAK Charity Auction, Neuer Aachener Kunstverein, Auctioneer: Prof. Henrik Hanstein, Germany
2026 Fields of Un/rest, Städtische Galerie in den Morat-Hallen, Freiburg, Germany
2026 Mirror Mirror – Das Abbild Und Ich,
Gallery Muellerschoen Recker, Munich, Germany
2026 Käthe Kollwitz - Spuren der Nähe,
Prof. Heidi Specker’s class, Kunstsammlungen Chemnitz
2026 Klavierkonzert, Prof. Ursula Neugebauer‘s Class, Kunstverein Wien / Tonspur, Vienna, Austrian
2026 VOLT – Kunst im Bau, Prof. Ursula Neugebauer‘s Class, Offspace Berlin, Germany
PUBLICATIONS
2025 „Body to Body“, photographic series,
published in Grafit Magazine, Issue No. 01
2025 „RAW“, photographic series, to be published in
Grafit Magazine, Issue No. 02
2025 „Body to Body“, photographic series, to be published in THE OPÉRA – Magazine for Classic & Contemporary Nude Photography, Issue No. 12
2025 Portrait, Monopol Magazine, November Issue,
as part of the Young Generation Art Award
CONTACT
For exhibition, collaboration and project
inquiries please get directly in touch.
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
Instagram @arnegrashoff
PORTFOLIO DOWNLOAD
Contact according to §5 TMG
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
Responsible for content according to §5 ABS. 2 RSTV
Arne Grashoff – Visual Artist
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
1. Content
The author reserves the right not to be responsible for the topicality, correctness, completeness or quality of the information provided. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect,will therefore be rejected. All offers are not-binding and without obligation. Parts of the pages or the complete publication including all offers and information might be extended, changed or partly or completely deleted by the author without separate announcement.
2. Referrals and links
The author is not responsible for any contents linked or referred to from his pages - unless he has full knowledge of illegal contents and would be able to prevent the visitors of his site fromviewing those pages. If any damage occurs by the use of information presented there, only the author of the respective pages might be liable, not the one who has linked to these pages. Furthermore the author is not liable for any postings or messages published by users of discussion boards, guestbooks or mailinglists provided on his page.
3. Copyright
The author intended not to use any copyrighted material for the publication or, if not possible, to indicate the copyright of the respective object. The copyright for any material created by the author is reserved. Any duplication or use of objects such as images, diagrams, sounds or texts in other electronic or printed publications is not permitted without the author's agreement.
4. Privacy policy
If the opportunity for the input of personal or business data (email addresses, name, addresses) is given, the input of these data takes place voluntarily. The use and payment of all offered services are permitted - if and so far technically possible and reasonable - without specification of any personal data or under specification of anonymized data or an alias. The use of published postal addresses, telephone or fax numbers and email addresses for marketing purposes is prohibited, offenders sending unwanted spam messages will be punished.
5. Legal validity of this disclaimer
This disclaimer is to be regarded as part of the internet publication which you were referred from. If sections or individual terms of this statement are not legal or correct, the content or validity of the other parts remain uninfluenced by this fact.
AWARDS
Shortlisted for the Young Generation Art Award 2026
Monopol Magazin
SELECTED SOLO AND DUO
2023 If I Were Your Body, Palermo Galerie, Stuttgart,
Germany (duo)
2024 Human Makes Human, Off-Space Conrad Electronics, Stuttgart, Germany (solo)
2024 Listening to Objects (BA Graduation Exhibition), Faculty of Design, Pforzheim University (solo)
SELECTED GROUPSHOWS
2021 Heides Contemporary Hits, LAF Pforzheim,
Germany (group exhibition)
2022 Mirror Machines, Maschinenfabrik Heilbronn,
Germany (group exhibition)
2023 Im Chaos habe ich meine Hände verloren, Galerie Künstlergilde Buslat, Germany (
group exhibition)
2025 Ich sehe was, was du nicht siehst, Kunstraum Bethanien, Berlin, Germany (group exhibition)
2025 Home Away From Home, Pandora Art Gallery, Berlin, Germany (group exhibition)
2025 Wiesbadener Fototage, Künstlerverein Walkühle, Wiesbaden, Germany
(group exhibition, selected)
2025 Contemporary Faces, SOV - See Our Vision Gallery, Berlin, Germany (group exhibition)
2025 Young Generation Art Award 2026, Degussa Niederlassung, Berlin, Germany
(group exhibition)
2025 NAK Charity Auction, Neuer Aachener Kunstverein, Auctioneer: Prof. Henrik Hanstein, Germany
2026 Fields of Un/rest, Städtische Galerie in den Morat-Hallen, Freiburg, Germany
2026 Mirror Mirror – Das Abbild Und Ich,
Gallery Muellerschoen Recker, Munich, Germany
2026 Käthe Kollwitz - Spuren der Nähe,
Prof. Heidi Specker’s class, Kunstsammlungen Chemnitz
2026 Klavierkonzert, Prof. Ursula Neugebauer‘s Class, Kunstverein Wien / Tonspur, Vienna, Austrian
2026 VOLT – Kunst im Bau, Prof. Ursula Neugebauer‘s Class, Offspace Berlin, Germany
PUBLICATIONS
2025 „Body to Body“, photographic series,
published in Grafit Magazine, Issue No. 01
2025 „RAW“, photographic series, to be published in
Grafit Magazine, Issue No. 02
2025 „Body to Body“, photographic series, to be published in THE OPÉRA – Magazine for Classic & Contemporary Nude Photography, Issue No. 12
2025 Portrait, Monopol Magazine, November Issue,
as part of the Young Generation Art Award
CONTACT
For exhibition, collaboration and project
inquiries please get directly in touch.
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
Instagram @arnegrashoff
PORTFOLIO DOWNLOAD
Contact according to §5 TMG
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
Responsible for content according to §5 ABS. 2 RSTV
Arne Grashoff – Visual Artist
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
1. Content
The author reserves the right not to be responsible for the topicality, correctness, completeness or quality of the information provided. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect,will therefore be rejected. All offers are not-binding and without obligation. Parts of the pages or the complete publication including all offers and information might be extended, changed or partly or completely deleted by the author without separate announcement.
2. Referrals and links
The author is not responsible for any contents linked or referred to from his pages - unless he has full knowledge of illegal contents and would be able to prevent the visitors of his site fromviewing those pages. If any damage occurs by the use of information presented there, only the author of the respective pages might be liable, not the one who has linked to these pages. Furthermore the author is not liable for any postings or messages published by users of discussion boards, guestbooks or mailinglists provided on his page.
3. Copyright
The author intended not to use any copyrighted material for the publication or, if not possible, to indicate the copyright of the respective object. The copyright for any material created by the author is reserved. Any duplication or use of objects such as images, diagrams, sounds or texts in other electronic or printed publications is not permitted without the author's agreement.
4. Privacy policy
If the opportunity for the input of personal or business data (email addresses, name, addresses) is given, the input of these data takes place voluntarily. The use and payment of all offered services are permitted - if and so far technically possible and reasonable - without specification of any personal data or under specification of anonymized data or an alias. The use of published postal addresses, telephone or fax numbers and email addresses for marketing purposes is prohibited, offenders sending unwanted spam messages will be punished.
5. Legal validity of this disclaimer
This disclaimer is to be regarded as part of the internet publication which you were referred from. If sections or individual terms of this statement are not legal or correct, the content or validity of the other parts remain uninfluenced by this fact.
CV
AWARDS
Shortlisted for the Young Generation Art Award 2026
Monopol Magazin
SELECTED SOLO AND DUO
2023 If I Were Your Body, Palermo Galerie, Stuttgart,
Germany (duo)
2024 Human Makes Human, Off-Space Conrad Electronics, Stuttgart, Germany (solo)
2024 Listening to Objects (BA Graduation Exhibition),
Faculty of Design, Pforzheim University (solo)
SELECTED GROUPSHOWS
2021 Heides Contemporary Hits, LAF Pforzheim,
Germany (group exhibition)
2022 Mirror Machines, Maschinenfabrik Heilbronn,
Germany (group exhibition)
2023 Im Chaos habe ich meine Hände verloren,
Galerie Künstlergilde Buslat, Germany
(group exhibition)
2025 Ich sehe was, was du nicht siehst, Kunstraum Bethanien, Berlin, Germany (group exhibition)
2025 Home Away From Home, Pandora Art Gallery,
Berlin, Germany (group exhibition)
2025 Wiesbadener Fototage, Künstlerverein Walkühle, Wiesbaden, Germany
(group exhibition, selected)
2025 Contemporary Faces, SOV - See Our Vision Gallery,
Berlin, Germany (group exhibition)
2025 Young Generation Art Award 2026, Degussa Niederlassung, Berlin, Germany
(group exhibition)
2025 NAK Charity Auction, Neuer Aachener Kunstverein, Auctioneer: Prof. Henrik Hanstein, Germany
2026 Fields of Un/rest, Städtische Galerie in den Morat-Hallen, Freiburg, Germany
2026 Mirror Mirror – Das Abbild Und Ich,
Gallery Muellerschoen Recker, Munich, Germany
2026 Käthe Kollwitz - Spuren der Nähe,
Prof. Heidi Specker’s class, Kunstsammlungen Chemnitz
2026 Klavierkonzert, Prof. Ursula Neugebauer‘s Class,
Kunstverein Wien / Tonspur, Vienna, Austrian
2026 VOLT – Kunst im Bau, Prof. Ursula Neugebauer‘s Class, Offspace Berlin, Germany
PUBLICATIONS
2025 „Body to Body“, photographic series,
published in Grafit Magazine, Issue No. 01
2025 „RAW“, photographic series, to be published in
Grafit Magazine, Issue No. 02
2025 „Body to Body“, photographic series, to be published in
THE OPÉRA – Magazine for Classic & Contemporary
Nude Photography, Issue No. 12
2025 Portrait, Monopol Magazine, November Issue,
as part of the Young Generation Art Award
CONTACT
For exhibition, collaboration and project
inquiries please get directly in touch.
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
Instagram @arnegrashoff
PORTFOLIO DOWNLOAD
Contact according to §5 TMG
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
Responsible for content according to §5 ABS. 2 RSTV
Arne Grashoff – Visual Artist
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
1. Content
The author reserves the right not to be responsible for the topicality, correctness, completeness or quality of the information provided. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect,will therefore be rejected. All offers are not-binding and without obligation. Parts of the pages or the complete publication including all offers and information might be extended, changed or partly or completely deleted by the author without separate announcement.
2. Referrals and links
The author is not responsible for any contents linked or referred to from his pages - unless he has full knowledge of illegal contents and would be able to prevent the visitors of his site fromviewing those pages. If any damage occurs by the use of information presented there, only the author of the respective pages might be liable, not the one who has linked to these pages. Furthermore the author is not liable for any postings or messages published by users of discussion boards, guestbooks or mailinglists provided on his page.
3. Copyright
The author intended not to use any copyrighted material for the publication or, if not possible, to indicate the copyright of the respective object. The copyright for any material created by the author is reserved. Any duplication or use of objects such as images, diagrams, sounds or texts in other electronic or printed publications is not permitted without the author's agreement.
4. Privacy policy
If the opportunity for the input of personal or business data (email addresses, name, addresses) is given, the input of these data takes place voluntarily. The use and payment of all offered services are permitted - if and so far technically possible and reasonable - without specification of any personal data or under specification of anonymized data or an alias. The use of published postal addresses, telephone or fax numbers and email addresses for marketing purposes is prohibited, offenders sending unwanted spam messages will be punished.
5. Legal validity of this disclaimer
AWARDS
Shortlisted for the Young Generation Art Award 2026
Monopol Magazin
SELECTED SOLO AND DUO
2023 If I Were Your Body, Palermo Galerie, Stuttgart,
Germany (duo)
2024 Human Makes Human, Off-Space Conrad Electronics, Stuttgart, Germany (solo)
2024 Listening to Objects (BA Graduation Exhibition),
Faculty of Design, Pforzheim University (solo)
SELECTED GROUPSHOWS
2021 Heides Contemporary Hits, LAF Pforzheim,
Germany (group exhibition)
2022 Mirror Machines, Maschinenfabrik Heilbronn,
Germany (group exhibition)
2023 Im Chaos habe ich meine Hände verloren,
Galerie Künstlergilde Buslat, Germany
(group exhibition)
2025 Ich sehe was, was du nicht siehst, Kunstraum Bethanien, Berlin, Germany (group exhibition)
2025 Home Away From Home, Pandora Art Gallery,
Berlin, Germany (group exhibition)
2025 Wiesbadener Fototage, Künstlerverein Walkühle, Wiesbaden, Germany
(group exhibition, selected)
2025 Contemporary Faces, SOV - See Our Vision Gallery,
Berlin, Germany (group exhibition)
2025 Young Generation Art Award 2026, Degussa Niederlassung, Berlin, Germany
(group exhibition)
2025 NAK Charity Auction, Neuer Aachener Kunstverein, Auctioneer: Prof. Henrik Hanstein, Germany
2026 Fields of Un/rest, Städtische Galerie in den Morat-Hallen, Freiburg, Germany
2026 Mirror Mirror – Das Abbild Und Ich,
Gallery Muellerschoen Recker, Munich, Germany
2026 Käthe Kollwitz - Spuren der Nähe,
Prof. Heidi Specker’s class, Kunstsammlungen Chemnitz
2026 Klavierkonzert, Prof. Ursula Neugebauer‘s Class,
Kunstverein Wien / Tonspur, Vienna, Austrian
2026 VOLT – Kunst im Bau, Prof. Ursula Neugebauer‘s Class, Offspace Berlin, Germany
PUBLICATIONS
2025 „Body to Body“, photographic series,
published in Grafit Magazine, Issue No. 01
2025 „RAW“, photographic series, to be published in
Grafit Magazine, Issue No. 02
2025 „Body to Body“, photographic series, to be published in
THE OPÉRA – Magazine for Classic & Contemporary
Nude Photography, Issue No. 12
2025 Portrait, Monopol Magazine, November Issue,
as part of the Young Generation Art Award
CONTACT
For exhibition, collaboration and project
inquiries please get directly in touch.
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
Instagram @arnegrashoff
PORTFOLIO DOWNLOAD
Contact according to §5 TMG
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
Responsible for content according to §5 ABS. 2 RSTV
Arne Grashoff – Visual Artist
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
1. Content
The author reserves the right not to be responsible for the topicality, correctness, completeness or quality of the information provided. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect,will therefore be rejected. All offers are not-binding and without obligation. Parts of the pages or the complete publication including all offers and information might be extended, changed or partly or completely deleted by the author without separate announcement.
2. Referrals and links
The author is not responsible for any contents linked or referred to from his pages - unless he has full knowledge of illegal contents and would be able to prevent the visitors of his site fromviewing those pages. If any damage occurs by the use of information presented there, only the author of the respective pages might be liable, not the one who has linked to these pages. Furthermore the author is not liable for any postings or messages published by users of discussion boards, guestbooks or mailinglists provided on his page.
3. Copyright
The author intended not to use any copyrighted material for the publication or, if not possible, to indicate the copyright of the respective object. The copyright for any material created by the author is reserved. Any duplication or use of objects such as images, diagrams, sounds or texts in other electronic or printed publications is not permitted without the author's agreement.
4. Privacy policy
If the opportunity for the input of personal or business data (email addresses, name, addresses) is given, the input of these data takes place voluntarily. The use and payment of all offered services are permitted - if and so far technically possible and reasonable - without specification of any personal data or under specification of anonymized data or an alias. The use of published postal addresses, telephone or fax numbers and email addresses for marketing purposes is prohibited, offenders sending unwanted spam messages will be punished.
5. Legal validity of this disclaimer
CV
AWARDS
Shortlisted for the Young Generation Art Award 2026 - Monopol Magazin
SELECTED SOLO AND DUO
2023 If I Were Your Body, Palermo Galerie, Stuttgart, Germany (duo)
2024 Human Makes Human, Off-Space Conrad Electronics, Stuttgart, Germany (solo)
2024 Listening to Objects (BA Graduation Exhibition), Faculty of Design, Pforzheim University (solo)
SELECTED GROUPSHOWS
2021 Heides Contemporary Hits, LAF Pforzheim, Germany (group exhibition)
2022 Mirror Machines, Maschinenfabrik Heilbronn, Germany (group exhibition)
2023 Im Chaos habe ich meine Hände verloren, Galerie Künstlergilde Buslat, Germany (group exhibition)
2025 Ich sehe was, was du nicht siehst, Kunstraum Bethanien, Berlin, Germany (group exhibition)
2025 Home Away From Home, Pandora Art Gallery, Berlin, Germany (group exhibition)
2025 Wiesbadener Fototage, Künstlerverein Walkühle, Wiesbaden, Germany (group exhibition, selected)
2025 Contemporary Faces, SOV - See Our Vision Gallery, Berlin, Germany (group exhibition)
2025 Young Generation Art Award 2026, Degussa Niederlassung, Berlin, Germany (group exhibition)
2025 NAK Charity Auction, Neuer Aachener Kunstverein, Auctioneer: Prof. Henrik Hanstein, Germany
2026 Fields of Un/rest, Städtische Galerie in den Morat-Hallen, Freiburg, Germany
2026 Mirror Mirror – Das Abbild Und Ich, Gallery Muellerschoen Recker, Munich, Germany
2026 Käthe Kollwitz - Spuren der Nähe, Prof. Heidi Specker’s class, Kunstsammlungen Chemnitz
2026 Klavierkonzert, Prof. Ursula Neugebauer‘s Class, Kunstverein Wien / Tonspur, Vienna, Austrian
2026 VOLT – Kunst im Bau, Prof. Ursula Neugebauer‘s Class, Offspace Berlin, Germany
PUBLICATIONS
2025 „Body to Body“, photographic series, published in Grafit Magazine, Issue No. 01
2025 „RAW“, photographic series, to be published in Grafit Magazine, Issue No. 02
2025 „Body to Body“, photographic series, to be published in THE OPÉRA – Magazine for Classic &
Contemporary Nude Photography, Issue No. 12
2025 Portrait, Monopol Magazine, November Issue, as part of the Young Generation Art Award
CONTACT
For exhibition, collaboration and project inquiries please get directly in touch.
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
Instagram @arnegrashoff
PORTFOLIO DOWNLOAD
Contact according to §5 TMG
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
Responsible for content according to §5 ABS. 2 RSTV
Arne Grashoff – Visual Artist
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
1. Content
The author reserves the right not to be responsible for the topicality, correctness, completeness or quality of the information provided. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect,will therefore be rejected. All offers are not-binding and without obligation. Parts of the pages or the complete publication including all offers and information might be extended, changed or partly or completely deleted by the author without separate announcement.
2. Referrals and links
The author is not responsible for any contents linked or referred to from his pages - unless he has full knowledge of illegal contents and would be able to prevent the visitors of his site fromviewing those pages. If any damage occurs by the use of information presented there, only the author of the respective pages might be liable, not the one who has linked to these pages. Furthermore the author is not liable for any postings or messages published by users of discussion boards, guestbooks or mailinglists provided on his page.
3. Copyright
The author intended not to use any copyrighted material for the publication or, if not possible, to indicate the copyright of the respective object. The copyright for any material created by the author is reserved. Any duplication or use of objects such as images, diagrams, sounds or texts in other electronic or printed publications is not permitted without the author's agreement.
4. Privacy policy
If the opportunity for the input of personal or business data (email addresses, name, addresses) is given, the input of these data takes place voluntarily. The use and payment of all offered services are permitted - if and so far technically possible and reasonable - without specification of any personal data or under specification of anonymized data or an alias. The use of published postal addresses, telephone or fax numbers and email addresses for marketing purposes is prohibited, offenders sending unwanted spam messages will be punished.
5. Legal validity of this disclaimer
This disclaimer is to be regarded as part of the internet publication which you were referred from. If sections or individual terms of this statement are not legal or correct, the content or validity of the other parts remain uninfluenced by this fact.
AWARDS
Shortlisted for the Young Generation Art Award 2026 - Monopol Magazin
SELECTED SOLO AND DUO
2023 If I Were Your Body, Palermo Galerie, Stuttgart, Germany (duo)
2024 Human Makes Human, Off-Space Conrad Electronics, Stuttgart, Germany (solo)
2024 Listening to Objects (BA Graduation Exhibition), Faculty of Design, Pforzheim University (solo)
SELECTED GROUPSHOWS
2021 Heides Contemporary Hits, LAF Pforzheim, Germany (group exhibition)
2022 Mirror Machines, Maschinenfabrik Heilbronn, Germany (group exhibition)
2023 Im Chaos habe ich meine Hände verloren, Galerie Künstlergilde Buslat, Germany (group exhibition)
2025 Ich sehe was, was du nicht siehst, Kunstraum Bethanien, Berlin, Germany (group exhibition)
2025 Home Away From Home, Pandora Art Gallery, Berlin, Germany (group exhibition)
2025 Wiesbadener Fototage, Künstlerverein Walkühle, Wiesbaden, Germany (group exhibition, selected)
2025 Contemporary Faces, SOV - See Our Vision Gallery, Berlin, Germany (group exhibition)
2025 Young Generation Art Award 2026, Degussa Niederlassung, Berlin, Germany (group exhibition)
2025 NAK Charity Auction, Neuer Aachener Kunstverein, Auctioneer: Prof. Henrik Hanstein, Germany
2026 Fields of Un/rest, Städtische Galerie in den Morat-Hallen, Freiburg, Germany
2026 Mirror Mirror – Das Abbild Und Ich, Gallery Muellerschoen Recker, Munich, Germany
2026 Käthe Kollwitz - Spuren der Nähe, Prof. Heidi Specker’s class, Kunstsammlungen Chemnitz
2026 Klavierkonzert, Prof. Ursula Neugebauer‘s Class, Kunstverein Wien / Tonspur, Vienna, Austrian
2026 VOLT – Kunst im Bau, Prof. Ursula Neugebauer‘s Class, Offspace Berlin, Germany
PUBLICATIONS
2025 „Body to Body“, photographic series, published in Grafit Magazine, Issue No. 01
2025 „RAW“, photographic series, to be published in Grafit Magazine, Issue No. 02
2025 „Body to Body“, photographic series, to be published in THE OPÉRA – Magazine for Classic &
Contemporary Nude Photography, Issue No. 12
2025 Portrait, Monopol Magazine, November Issue, as part of the Young Generation Art Award
CONTACT
For exhibition, collaboration and project inquiries please get directly in touch.
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
Instagram @arnegrashoff
PORTFOLIO DOWNLOAD
Contact according to §5 TMG
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
Responsible for content according to §5 ABS. 2 RSTV
Arne Grashoff – Visual Artist
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@arnegrashoff.de
+49 (0) 157 37 62 42 44
1. Content
The author reserves the right not to be responsible for the topicality, correctness, completeness or quality of the information provided. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect,will therefore be rejected. All offers are not-binding and without obligation. Parts of the pages or the complete publication including all offers and information might be extended, changed or partly or completely deleted by the author without separate announcement.
2. Referrals and links
The author is not responsible for any contents linked or referred to from his pages - unless he has full knowledge of illegal contents and would be able to prevent the visitors of his site fromviewing those pages. If any damage occurs by the use of information presented there, only the author of the respective pages might be liable, not the one who has linked to these pages. Furthermore the author is not liable for any postings or messages published by users of discussion boards, guestbooks or mailinglists provided on his page.
3. Copyright
The author intended not to use any copyrighted material for the publication or, if not possible, to indicate the copyright of the respective object. The copyright for any material created by the author is reserved. Any duplication or use of objects such as images, diagrams, sounds or texts in other electronic or printed publications is not permitted without the author's agreement.
4. Privacy policy
If the opportunity for the input of personal or business data (email addresses, name, addresses) is given, the input of these data takes place voluntarily. The use and payment of all offered services are permitted - if and so far technically possible and reasonable - without specification of any personal data or under specification of anonymized data or an alias. The use of published postal addresses, telephone or fax numbers and email addresses for marketing purposes is prohibited, offenders sending unwanted spam messages will be punished.
5. Legal validity of this disclaimer
This disclaimer is to be regarded as part of the internet publication which you were referred from. If sections or individual terms of this statement are not legal or correct, the content or validity of the other parts remain uninfluenced by this fact.
For portfolio, collaboration and project inquiries please get directly in touch.
C-prints and gelatine silver prints are also available on request.
Arne Grashoff
contact@dopeyard.studio
+49 (0) 157 37 62 42 44
Contact according to §5 TMG
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@dopeyard.studio
+49 (0) 157 37 62 42 44
Responsible for content according to §5 ABS. 2 RSTV
dopeyard.studio – Visual Communication & Photography
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@dopeyard.studio
+49 (0) 157 37 62 42 44
1. Content
The author reserves the right not to be responsible for the topicality, correctness, completeness or quality of the information provided. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect,will therefore be rejected. All offers are not-binding and without obligation. Parts of the pages or the complete publication including all offers and information might be extended, changed or partly or completely deleted by the author without separate announcement.
2. Referrals and links
The author is not responsible for any contents linked or referred to from his pages - unless he has full knowledge of illegal contents and would be able to prevent the visitors of his site fromviewing those pages. If any damage occurs by the use of information presented there, only the author of the respective pages might be liable, not the one who has linked to these pages. Furthermore the author is not liable for any postings or messages published by users of discussion boards, guestbooks or mailinglists provided on his page.
3. Copyright
The author intended not to use any copyrighted material for the publication or, if not possible, to indicate the copyright of the respective object. The copyright for any material created by the author is reserved. Any duplication or use of objects such as images, diagrams, sounds or texts in other electronic or printed publications is not permitted without the author's agreement.
4. Privacy policy
If the opportunity for the input of personal or business data (email addresses, name, addresses) is given, the input of these data takes place voluntarily. The use and payment of all offered services are permitted - if and so far technically possible and reasonable - without specification of any personal data or under specification of anonymized data or an alias. The use of published postal addresses, telephone or fax numbers and email addresses for marketing purposes is prohibited, offenders sending unwanted spam messages will be punished.
5. Legal validity of this disclaimer
This disclaimer is to be regarded as part of the internet publication which you were referred from. If sections or individual terms of this statement are not legal or correct, the content or validity of the other parts remain uninfluenced by this fact.
C-prints and gelatine silver prints are also available on request.
Arne Grashoff
contact@dopeyard.studio
+49 (0) 157 37 62 42 44
Contact according to §5 TMG
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@dopeyard.studio
+49 (0) 157 37 62 42 44
Responsible for content according to §5 ABS. 2 RSTV
dopeyard.studio – Visual Communication & Photography
Arne Grashoff
Fritz-Reuter-Straße 14
D-70197 Stuttgart
Germany
contact@dopeyard.studio
+49 (0) 157 37 62 42 44
1. Content
The author reserves the right not to be responsible for the topicality, correctness, completeness or quality of the information provided. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect,will therefore be rejected. All offers are not-binding and without obligation. Parts of the pages or the complete publication including all offers and information might be extended, changed or partly or completely deleted by the author without separate announcement.
2. Referrals and links
The author is not responsible for any contents linked or referred to from his pages - unless he has full knowledge of illegal contents and would be able to prevent the visitors of his site fromviewing those pages. If any damage occurs by the use of information presented there, only the author of the respective pages might be liable, not the one who has linked to these pages. Furthermore the author is not liable for any postings or messages published by users of discussion boards, guestbooks or mailinglists provided on his page.
3. Copyright
The author intended not to use any copyrighted material for the publication or, if not possible, to indicate the copyright of the respective object. The copyright for any material created by the author is reserved. Any duplication or use of objects such as images, diagrams, sounds or texts in other electronic or printed publications is not permitted without the author's agreement.
4. Privacy policy
If the opportunity for the input of personal or business data (email addresses, name, addresses) is given, the input of these data takes place voluntarily. The use and payment of all offered services are permitted - if and so far technically possible and reasonable - without specification of any personal data or under specification of anonymized data or an alias. The use of published postal addresses, telephone or fax numbers and email addresses for marketing purposes is prohibited, offenders sending unwanted spam messages will be punished.
5. Legal validity of this disclaimer
This disclaimer is to be regarded as part of the internet publication which you were referred from. If sections or individual terms of this statement are not legal or correct, the content or validity of the other parts remain uninfluenced by this fact.